VUP - July 2021
When John Summers moved to a small town in the Wairarapa and began to look closely at the less-celebrated aspects of local life – our club rooms, freezing works, night trains, hotel pubs, landfills – he saw something deeper. It was a story about his own life, but mostly about a place and its people. The story was about life and death in New Zealand.
Combining reportage and memoir, The Commercial Hotel is a sharp-eyed, poignant yet often hilarious tour of Aotearoa: a place in which Arcoroc mugs and dog-eared political biographies are as much a part of the scenery as the hills we tramp through ill-equipped. We encounter Elvis impersonators, the eccentric French horn player and adventurer Bernard Shapiro, Norman Kirk balancing timber on his handlebars while cycling to his building site, and Summers’s grandmother: the only woman imprisoned in New Zealand for protesting World War Two. And we meet the ghosts who haunt our loneliest spaces.
As he follows each of his preoccupations, Summers reveals to us a place we have never quite seen before.
Judged one of 2021’s best books by Newsroom, The NZ Listener and the Academy of New Zealand Literature.
‘Clever, funny, boundlessly curious, The Commercial Hotel is a dazzling New Zealand opportunity shop, floor to ceiling with lost books and impossible treasures, railways and eels, ghosts and daydreams.’
Toby Manhire
'Meticulously researched, gorgeously written and endlessly surprising, The Commercial Hotel is a compendium of sparkling oddities.'
Tom Doig, The Spinoff
'Nowhere is like anywhere else, and this collection shows us our own peculiarities from the inside, with a loving and observant eye.'
Tim Upperton, NZ Listener
'As a journey through odd by-ways of New Zealand life, this is a great collection from a writer who can see the importance of things we might otherwise cast aside.'
Nicholas Reid, Reid's Reader
'a pleasure to read'
Jim Sullivan, Otago Daily Times
‘There is no other writer in New Zealand who can write so quietly; so much of The Commercial Hotel exists in the soft light of dawn, or twilight, due to the prose style and the tone it achieves.’
Steve Braunias, Newsroom
‘A sparkling and enduring collection.’
Tilly Lloyd, Newstalk ZB
‘I will read anything that John Summers writes. . . . Warm, enquiring, intelligent and authentic.’
Kiran Dass, Kete Books